Every Day (2018)

Quartile rating: 7/10 · 1 rating

16-year old Rhiannon falls in love with a mysterious spirit named “A” that inhabits a different body every day. Feeling an unmatched connection, Rhiannon and “A” work each day to find each other, not knowing what the next day will bring.

The Quartile Take

Every Day earns strong marks for novelty — its central conceit of a spirit occupying a new body each day is a genuinely distinctive spin on body-swap and identity narratives, exploring gender, sexuality, and connection in ways that feel fresh for YA romance. The plot carries emotional momentum and handles its philosophical questions about love and identity with reasonable care, though it occasionally stumbles into melodrama. Acting is variable given the rotating cast of performers, but most handle the material capably and some standout moments emerge. Cinematography is functional but unremarkable — competent indie-romance visuals without much visual imagination or personality. The ending is bittersweet and thematically consistent, if not entirely satisfying emotionally.

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