Notorious (1946)

Quartile rating: 8/10 · 1 rating

In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.

The Quartile Take

Notorious is a masterwork of Hitchcock's career — a spy thriller fused with a genuinely anguished love story. The plot is tightly constructed, using the espionage framework to generate real emotional and moral tension rather than mere action mechanics. Grant and Bergman deliver career-highlight performances, their chemistry electric and their emotional restraint devastatingly effective; Claude Rains is equally superb, making Sebastian sympathetic even as a villain. Ted Tetzlaff's cinematography is stunning — the famous crane shot descending to the key in Bergman's hand is one of cinema's great technical achievements, and the use of shadow and close-up throughout is exceptional. The ending — Sebastian's fate on the staircase, Devlin's rescue, the ambiguity of what awaits — is among Hitchcock's finest. Novelty is the one area that keeps this from a perfect sweep: while the film is distinctively Hitchcockian and executed with singular mastery, the spy-romance genre was already well-trodden, and the film's innovation lies more in its emotional depth and craft than in a wholly original conception.

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